C.P.E. Bach: Fantasia in C major, W. 61/6 from "Kenner und Liebhaber" (played on Sperrhake model Hubert clavichord). This is an experiment to see how well the clavichord sound comes through. A better performance in future....
Johann Wilhelm Häßler (1747-1822): Grande Gigue, Op. 31 (on Sperrhake clavichord)---probab ly more of a fortepiano piece, but fun on the clavichord, too!
J.S. Bach: Four Duets, BWV 802-805 (on 1892 6'2" Knabe grand)---this is a somewhat rough performance, and I will replace it with a better one eventually; but I wanted to put these pieces up, because I am surprised at how little known they are. They are like souped-up two-part inventions, and challenging as well as interesting.
Anatoli Liadov: (1) Prelude in D minor, Op. 40 No. 3; (2) Prelude in B-flat minor, Op. 31 No. 2; (3) Mazurka in F minor, Op. 57 No. 3; Mazurka in Dorian mode, Op 15 No. 2
J.S. Bach: Partita No. 6 in E minor, BWV 830, No. 5, Sarabande (on Sperrhake clavichord). Yes, there are a few slight "misreadings" here, but I think the piece nonetheless shows as well as any by J.S. Bach the potential for exploiting the clavichord's special characteristics. I didn't dare re-record just for a few wrong notes, for fear of losing the feel. Perhaps another time...
